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Auditions Below is a general guide to our auditions. As each audition nears, it will be replaced by a similar one that is tailored to each specific show. This one is intentionally generic to cover a wide range of possible scenarios, but includes a lot of information that you might find helpful. What is ACT1? ACT1 is the proud recipient of several Metropolitan Atlanta Theater awards, including 5 for our production of Fiddler on the Roof. We are sponsored and supported by Alpharetta Presbyterian Church, and provide entertainment to the community without religious bias. In addition to using many experienced theater folks, one of the objectives of our work is to provide a venue for actors and crew who have never tried anything like this before. We enjoy having new folks discover a love of theater - whether that's acting on the stage, or building sets, or making costumes, or as a stage hand, lighting technician or sound technician. As new cast and crew members "learn the ropes" and become seasoned pros, they may decide to try their hand at stage managing or directing. All of our cast, crew and management are volunteers. But, no matter what role you choose, this will be the most fun that you've had in a long time. Can I review the script in advance? What will auditions be like? Everyone whose auditioning will be in together and you'll be asked to read scenes from the play. It's known as "cold reading", because you're not expected to memorize anything in advance. The material you need will be given to you. However, you may want to review the script in advance, to become familiar with the characters. The Director and Stage Manager will run the auditions, and you'll be asked to come up a couple of times to read. We're all friendly, so we promise that it won't be intimidating. You may be asked to read a part that you're obviously not suited for, or that you have no interest in. It doesn't mean you're being considered for that part, but rather helps us gauge your flexibility and range. No parts are pre-cast, and everyone who gets a part will have auditioned at one of the 2 scheduled times, unless special arrangements are made in advance. We don't generally do "Call-backs" (that's when a short-list is compiled and some people are asked to re-audition), but will choose a cast based on the regular auditions. Among the things we'll be looking for are: How will you pick the cast? When will I know if I'm cast? What am I committing to? What about rehearsals? Rehearsals are normally on Tuesday and Thursday evenings at 6:30pm and on Sunday at 2:00 (Please note - if you have worked with ACT1 before, this is a slight change in the Sunday Schedule). Not everyone is scheduled at every rehearsal - at least in the beginning. As we work individual scenes, only the actors in those scenes need to be there. We take very seriously your commitment and your time. The schedule will be laid out in advance, and only vary rarely deviated from. You will never be expected to hang around waiting for the director to get to your part. The very first rehearsal will be a "read-through" and will include the entire cast. It's just what it sounds like - we'll all sit around and read the script. It's the time to meet your fellow actors, hear the Director's vision for the show, begin to assimilate your character, work on any tricky pronunciation etc. We'll give you your copy of the script, the schedule, and any other material you'll need. After that, the next set of rehearsals will be broken down, scene by scene, and we'll do the "blocking". Blocking is the term used for any stage movement - crossing from one side to the other, sitting down, standing up - all the stuff that supports your lines. Bring a pencil and make notes in your script as you work. Once everything is blocked, the next few rehearsals will go back through those scenes and work on them some more. By this time, you need to have your lines and songs memorized for the scenes that we're working that day. Once we're through these "working" rehearsals, we're now about 4 weeks in, and we've worked on every scene for at least 3 rehearsals, and it's time to combine them, and run the full act, and later the full show, fine-tuning as we go. Expect about 24 rehearsals in all. There might be one or two added rehearsals near opening, if we seem to need them. There are some breaks in the schedule for holidays and other things at the church which would interfere with rehearsals. When are performances? What about tickets? What else can I do? What about...?
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